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The Shimanean

The Shimanean-A quarterly publication about Shimane,for Shimane

The Message of Taiko Resonating Beyond Japan

The beat of Shimane's only all-foreigner taiko team
by Heather Morley
"Taiko" is Japanese for "short, fat drum," and it is an instrument quickly growing in international popularity. My first experience with it was in a Shinto fertility shrine in Matsue when a seemingly sedate priest hit an innocent looking drum that almost made the earth shake. I could feel its beat in my chest, and it vibrated off the calm walls that surrounded me.

Although its exact origins are unknown, theories suggest that the taiko drum has been in Japan for more than 2000 years. Its strong resemblance to Chinese and Korean instruments suggest it was part of the wave of cultural influence that occurred in Japan around 300-900 AD. In the past the taiko was a lone instrument, solely spiritual in nature. Now, there are some 8000 teams throughout Japan, each weaving a range of rhythmic patterns.

The beat of Shimane's only all-foreigner taiko teamA tiny dot on the map of Shimane is a town called Mitoya, home to my taiko group. It's an unusual team for rural Shimane because it consists entirely of foreign English teachers. The original Mitoya team consisted only of Japanese players, but last year, an influx of English teachers led to the creation of two teams. Now, the talented Japanese players mentor the inexperienced English-speaking team, which, despite its novice status, has definite spirit and zeal for learning taiko.

The team performed twice last year-once for fellow English teachers before an inter-prefecture soccer match, and another time for the town of Mitoya. On a rainy spring day, the town locals were still interested enough to brave the wet and sit under umbrellas and tents to watch this group of foreigners do their thing. "The Japanese people watching were extremely supportive, and were happy that we've embraced something that is theirs," said Camille Humbles, a member of the team. "It has been the highlight of my time in Japan and a door for me to get to know the community."

Our fearless sensei would agree with her. He's trained teams all over Shimane, but we're his first all-gaikokujin team. When he was given the chance to teach foreigners, he jumped at it because he truly wants to spread his joy for taiko to Japanese and foreigners alike. He reminds us that he's teaching not only an instrument but the traditional way of Japan. Taiko drumming involves the same customs of discipline, etiquette and respect that existed in the Japan of the past. As he puts it, "the people of traditional Japan, the way of the warrior, the way of the drum, all share the same essence."

In rural Japan, a siren goes off at noon and at seven in the morning (my personal favorite!). In the past, that siren was the taiko drum. It was believed to be inhabited by the gods and was an envoy to the people-a sacred item of communion in both Shinto and Buddhism. It then evolved, and could be played by people of the general populace in order to communicate messages over long distances. Once a personal experience between player and drum, taiko performances are now enjoyed by all at festivals and concerts. Its original role of messenger has not changed, however, for the taiko continues to spread messages across the world, connecting various people to Japan's past with its powerful resonance, captivating rhythm and forceful beat.

gaikokujin = foreigner


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