| "Taiko" is Japanese for "short, fat drum," and it is
an instrument quickly growing in international popularity. My first experience
with it was in a Shinto fertility shrine in Matsue when a seemingly sedate
priest hit an innocent looking drum that almost made the earth shake. I
could feel its beat in my chest, and it vibrated off the calm walls that
surrounded me.
Although its exact origins are unknown, theories suggest that the taiko
drum has been in Japan for more than 2000 years. Its strong resemblance
to Chinese and Korean instruments suggest it was part of the wave of cultural
influence that occurred in Japan around 300-900 AD. In the past the taiko
was a lone instrument, solely spiritual in nature. Now, there are some
8000 teams throughout Japan, each weaving a range of rhythmic patterns.
A tiny dot on the map of Shimane is a town called Mitoya, home to my taiko
group. It's an unusual team for rural Shimane because it consists entirely
of foreign English teachers. The original Mitoya team consisted only of
Japanese players, but last year, an influx of English teachers led to the
creation of two teams. Now, the talented Japanese players mentor the inexperienced
English-speaking team, which, despite its novice status, has definite spirit
and zeal for learning taiko.
The team performed twice last year-once for fellow English teachers before
an inter-prefecture soccer match, and another time for the town of Mitoya.
On a rainy spring day, the town locals were still interested enough to
brave the wet and sit under umbrellas and tents to watch this group of
foreigners do their thing. "The Japanese people watching were extremely
supportive, and were happy that we've embraced something that is theirs,"
said Camille Humbles, a member of the team. "It has been the highlight
of my time in Japan and a door for me to get to know the community."
Our fearless sensei would agree with her. He's trained teams all over Shimane,
but we're his first all-gaikokujin team. When he was given the chance to
teach foreigners, he jumped at it because he truly wants to spread his
joy for taiko to Japanese and foreigners alike. He reminds us that he's
teaching not only an instrument but the traditional way of Japan. Taiko
drumming involves the same customs of discipline, etiquette and respect
that existed in the Japan of the past. As he puts it, "the people
of traditional Japan, the way of the warrior, the way of the drum, all
share the same essence."
In rural Japan, a siren goes off at noon and at seven in the morning (my
personal favorite!). In the past, that siren was the taiko drum. It was
believed to be inhabited by the gods and was an envoy to the people-a sacred
item of communion in both Shinto and Buddhism. It then evolved, and could
be played by people of the general populace in order to communicate messages
over long distances. Once a personal experience between player and drum,
taiko performances are now enjoyed by all at festivals and concerts. Its
original role of messenger has not changed, however, for the taiko continues
to spread messages across the world, connecting various people to Japan's
past with its powerful resonance, captivating rhythm and forceful beat.
gaikokujin = foreigner
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