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Sherry Nakanishi
Sakyo-ku, Kyoto. Enko-ji Temple.
I stumble upon an old
man while walking along the gravel path. He
wears an indigo-dyed jacket with matching
trousers, often seen on craftspeople, artisans.
A sweat-stained towel encircles his head.
He is raking the leaves. He raked them yesterday
and is raking them today. And tomorrow too,
he will rake them.
In between the space
of a falling leaf and the pause he takes in
pulling the rake toward him, I ask him the
meaning of 「無常」mujou. And his story
spills out, the same way as the sun spills
onto the gravel path, bathing my feet in warm
sunlight.
He is from Kobe, he
says. The word Kobe causes my body to quiver,
like a wind that is too strong and moves me.
His house, destroyed in the Hanshin Earthquake
(1995), left his family dead. The \500,000
received from the Japanese Government was
not enough to rebuild with. A plea for a bank
loan was refused as his land was not within
four metres of a main road. And so he followed
the worn, ancient path to Kyoto. He rakes
the temple leaves there; no monetary payment
is received.
In summer, the leaf-raker
makes a pilgrimage to the far-away temple
of Eiheiji, in Fukui Prefecture. A distance
of two hundred kilometres is covered. He makes
this journey annually by foot. When he returns,
his hairless head is turned to bronze, the
same colour as the leaves that he sweeps.
Oh yes, he explains,
stopping to look directly into my eyes.
"Mujou: It means softness of
heart. Acceptance of the ever-changing."
"After the earthquake I went to Kobe
and spoke with the local people. Still, it
affects many people's lives-- the changes
in Kobe, its landscape, haunts the inhabitants.
I'm always suprised how quickly tragedies
are forgotten and so I wrote this piece."
As for the stylisation?
"I tried to make
this paper symbolic of what an earthquake
does:
Orange: the color of life, vibrancy.
Black: Total destruction"
Sherry Nakanishi
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